Inflammatory Writ
I've been listening to Joanna Newsom's first album and a few of her EP songs almost nonstop lately. In fact, I'm listening to her right now.
Ironically, when I listen to her songs I can't help but think about the kind of singers one usually finds on American Idol: cookie cutter voices lacking almost entirely in emotion of humanity, even though they may be able to hold the "glory notes" for 20 seconds or more. "Yelling", is apprantly the new "singing". But this is also why Newsom's songs are so refreshing; if she were to try out for American Idol, she would not only be cut in the first round, but she would be featured with the other horrible, self-deluded singers who can't carry a tune to save their lives.
Her harshest critics focus on her bizarre, untrained voice for their mockery, and, yeah, she is constantly off-key, out of tune, and she's never met a note that she could hold. Her song "Peach, Plum, Pear" is a nice example: it is a wretched trainwreck of discordant screeching which make one think, "What the hell?" And yet, her raw, untrained voice with its Appalachian-sounding accents are what make her music so hypnotic.
More than that, though, (and here is where she should be distinguished from the William Hungs of the world) she always manages to inject real, honest feeling and humanity into her songs as she sings. She sound like a real person, not some robot. Her song, "Clam, Crab, Cockle, Cowrie" is, despite her voice (or maybe because of it), absolutely beautiful, and one of the finest examples of songwriting that I have heard this year.
